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・ Three Faces East
・ Three Faces East (1926 film)
・ Three Faces East (1930 film)
・ Three Faces of Sin
・ Three Faces West
・ Three Fact Fader
・ Three Faiths Forum
・ Three Fantasies after Friedrich Hölderlin
・ Three Fantastic Dances
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・ Three Farmers on Their Way to a Dance
・ Three Fat Men
・ Three Fathom Harbour, Nova Scotia
・ Three Fathoms Cove
・ Three Figures
Three Figures in a Room
・ Three Figures near a Canal with Windmill
・ Three Filipino Women
・ Three Finger Lake
・ Three Fingered Jack
・ Three Fingered Jenny
・ Three Fingers
・ Three Fires
・ Three Fires Council
・ Three First National Plaza
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・ Three Fishers
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Three Figures in a Room : ウィキペディア英語版
Three Figures in a Room

''Three Figures in a Room'' is a 1964 oil-on-canvas triptych painting by British artist Francis Bacon. Each panel measures and shows a separate view of his lover George Dyer, whom Bacon first met in 1963. It is the first of Bacon's works to feature Dyer, a model to whom he returned to repeatedly in his paintings. The work has been described as Bacon's first secular triptych.
Bacon had been painting triptychs since his in 1944 break-through ''Three Studies for Figures at the Base of a Crucifixion''. ''Three Figures'' continues the theme of Bacon studying a single subject from different angles. Although painted on three separate canvases, each image occupies the same space, marked by a brown elliptical floor and yellowish walls which continue across the panels. The presence of a single model three times in the same space defies narrative explanation.
Dyer is depicted in three different positions, all twisted and contorted. Bacon uses large and vigorous brushstrokes to create distinctive splashes of colour. In the left panel, a naked Dyer sits on a toilet facing away from the viewer; he rests on a massive black bed or chair in the centre panel; and he is sitting contorted on a pedestal chair in the right panel. The creased back of the left figure may be inspired by Edgar Degas's drawing ''After the Bath, Woman drying herself'', and also possibly by the Belvedere Torso. Art critic David Sylvester has suggested that the centre and right figures may be inspired by Michelangelo's sculptures in the Medici Chapel, and draws parallels with the three figures in Henri Matisse's ''Bathers with a Turtle''.
The work was bought by the French state in 1968 and has been part of the collection of the Centre Georges Pompidou since 1976.
==References==

* (''Three Figures in a Room'' ), Centre Georges Pompidou
* David Sylvester, Francis Bacon à nouveau, éd. André Dimanche, Paris, 2006
* (‘Three Figures in a Room’ (1964) to Feature in Musée d’Orsay Exhibition )
* (Reading Between the Lines: Claude Simon and the Visual Arts ), Jean H. Duffy p,134-135
* (About Modern Art ), David Sylvester p.461-2


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